If Cameras were Hammers

If you aren’t familiar with Roger Cicala, you might know his company Lensrentals.  It is a great way to get a lens you only need for a short time (wedding/special event/etc.) or want to try-before-you-buy.  Roger is a very cool and knowledgeable guy, and is a regular visitor to one of my favorite photography forums (fredmiranda.com).  Anyway, a buddy of mine sent me a post from his blog yesterday that I think is pretty funny, and also pretty darn true.

Take a quick read of his post “Hammerforum.com”

The lesson I hope you’ll take away is that there are infinite opinions on the internet, and some of them can be pretty obtuse and confusing to the novice.  As a Nikon guy, I mainly watch Thom Hogan (byThom.com), and check out reviews from Nasim Mansurov, Roger  and others.  And of course I visit the site of the inestimable Scott Kelby often.

The net is that the web can be a little overbearing.  The hardware of photography can be a little over-consuming, and most people can do just fine with the tools they have in their hand.

What sites do you find particularly helpful or useless?

Scrapyard Visit

I was driving home from an out-of-town work trip the other day and saw an old boneyard with a bunch of cool, rusty old American cars. I turned around and pulled in to look around, and then remembered I had my camera with me. After talking to the guy running the yard and asking if it was cool for me to take some photos, I had a nice time wandering around, looking for texture.

It was actually a lot harder than I expected. Of all the photos I took, only three came out even close to what I was going for:

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Nikon D300s – 35mm f/1.8 @ f/2.5 – 1/40th – ISO 800 – Set for – 1/3 EV

A little thinner on depth-of-field (DOF) than I wanted, but it was pretty dark. Since I was hand-holding and shooting from an awkward angle/position, I had to keep a reasonable shutter speed. Since I thought there would be too much noise if I popped the ISO higher, I went with a wider aperture. In retrospect, a bad choice.  I could have also done myself a favor and not set the exposure for -1/3 EV.  That would have helped, too.

Nikon D300s - 35mm f/1.8 @ f/2.8, 1/8000 - ISO 200

Nikon D300s – 35mm f/1.8 @ f/2.8 – 1/8000 – ISO 200 – Set for -1 EV

Shooting outside in harsh sun, this shot was actually pretty challenging. Even setting the camera for a full stop lower exposure (-1 EV), I still have some blown out spots. The DOF worked better for me here, though, and I’m happier with this shot

Nikon D300s - 35mm f/1.8 @ f/2.8 - 1/3200 - ISO 200 - Set for -1 EV

Nikon D300s – 35mm f/1.8 @ f/2.8 – 1/3200 – ISO 200 – Set for -1 EV

Another shot where I was fighting really harsh sun, I also used the exposure compensation to adjust down a whole stop.  In retrospect, I wish I’d gotten in tighter on the “Special” medallion.  You can faintly see 1957 engraved there, and it would have been a cool shot, and a lot less busy than this one.

A few lessons of the day:

  • Always have your camera with you
  • Don’t forget about the EV/exposure adjustment, but don’t forget when you’ve set it! :)
  • Use the screen to zoom in and see if you’re getting what you want.  I usually do it more carefully than I did that day.

Even though I didn’t get all the shots I wanted, I’m so glad I stopped.  It was really cool to see all these old cars, some of which will either be on the road again or help another car get there.  The experience is always good, no matter how the shots turn out!

What kind of problems have YOU had shooting lately?

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Favorite Shots of 2012

Well, I figured since it is mid-March (already!) I should get on my favorite photos of 2012…

It was a pretty busy year, full of travel to some pretty amazing places.  I think the biggest jumps I took with my photography are mostly centered around being more thoughtful and confident with composition as well as knowing my equipment better.  The goal (and I haven’t achieved it yet by any stretch, but we’re getting there….:) ) is to make the camera disappear and concentrate on capturing the image as you want it.  And have fun.

I took a lot of shots last year, and there are many that I’m fond of, so choosing a few was hard.  Clicking on a shot will open a larger version.

Strictly speaking, this and the next shot were some of my last shots of 2011.  But since I sort of lost track of them and they didn't make my 2011 series, I'm cheating and putting them here.

Strictly speaking, this and the next shot were some of my last shots of 2011. But since I sort of lost track of them and they didn’t make my 2011 series, I’m cheating and putting them here.  This is the pineapple fountain in Charleston, SC.

My second visit to this boat produced one of my favorite photos ever.

My second visit to this pilot boat in Charleston Harbor produced one of my favorite photos ever.

Spring found me in Alabama for the 10th edition of my favorite car show.

Spring found me in Alabama for the 10th edition of my favorite car show.

A business trip took me to Beijing, where color always seems to surround you...

A business trip took me to Beijing, where color always seems to surround you…

My favorite drink is done well in Beijing...

My favorite drink, a rye Manhattan, is done well in Beijing…

There is an art district in Beijing called 798 where you can find a lot of off-the-wall art, but the old buildings there offer some nice texture, too...

There is a  district in Beijing called 798 where you can find a lot of off-the-wall art, but the old buildings there offer some nice texture, too…

I liked the mood of this shot, but knowing it was taken in Beijing adds a little incongruity to it as well...

I liked the mood of this shot, but knowing it was taken in Beijing adds a little incongruity to it as well…

This statue was in the 798 art district in Beijing, which was ironic enough.  The billboard on the walls just layered on top...

This statue was in the 798 art district in Beijing, which was ironic enough. The billboard on the walls just layered on top…

They wouldn't let me take my tripod and it was really windy 55 stories above Tokyo, so getting this shot wasn't a picnic.  The view was stunning though, so I made due by holding my camera to a railing on my L-bracket, giving me enough stability to get reasonable sharpness.

They wouldn’t let me take my tripod and it was really windy 55 stories above Tokyo, so getting this shot wasn’t a picnic. The view was stunning though, so I made due by holding my camera to a railing on my L-bracket, giving me enough stability to get reasonable sharpness.

I like this shot, though it doesn't do a great job of showing the scale of the world's largest Buddha.

I like this shot, though it doesn’t do a great job of showing the scale of the world’s largest Buddha, located in the temple city of Kamakura, Japan.

This carved stone monolith was near the Great Buddha of Kamakura.    I thought narrow depth of field helped give it a sense of texture.

This carved stone monolith was near the Great Buddha of Kamakura. I thought narrow depth of field helped give it a sense of texture.

Prague is famous for the Love Locks that decorate fences along the waterway inside the city.  It is a growing trend around the world.  This shot was the feature of my "Touristy Photos" post.  If you're looking for cities filled with amazing things to photograph, this area of Europe is your ticket.

Prague is famous for the Love Locks that decorate fences along the waterway inside the city. It is a growing trend around the world. This shot was the feature of my “Touristy Photos” post. If you’re looking for cities filled with amazing things to photograph, this area of Europe is your ticket.

Budapest is a city filled with history, texture and stunning views...

Budapest is a city filled with history, texture and stunning views…

I wonder how many people walk through the doors of this charge and never look at the detailed and ornate metal castings all around them...

I wonder how many people walk through the doors of the La Madeline church in Paris and never look at the detailed and ornate metal castings all around them…

These shots took me through the end of the Summer, and to be honest by then I was a little worn out!  The rest of the year was also very busy at work and featured much less interesting travel, so I wound up with a sort of involuntary vacation from photography (not to mention this blog…).

So that’s it!  I’m off to a much stronger start in 2013, and I’m really looking forward to warmer weather to get out and have some fun with my camera!  If you’ve got favorite shots from last year posted, paste a link to your blog, flickr or whatever!

What are f-stops?

If you’re an Enthusiast Photographer, you’ve probably heard the word “stop” used in relation to aperture, depth of field and other areas of photography.  If you’ve wondered what a “stop” or “f/stop” is, one of the best and most accessible things I’ve read on the topic is the amusingly titled “A Tedious Explanation of the f/stop” – check it out!

2012 in review – Enthusiast Photographer

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

4,329 films were submitted to the 2012 Cannes Film Festival. This blog had 40,000 views in 2012. If each view were a film, this blog would power 9 Film Festivals

Click here to see the complete report.

Ooops! Card vs. Port Performance Updated!

If you read “Are you like me?” or “Who the heck is this guy?“, you hopefully read in the very first sentence of the disclaimer: “I’m not an expert, I’m going to make mistakes (and learn from them).”  Well, here we are.

My test results confused me a bit, and I went digging for answers for why I didn’t see as much difference between USB 2.0 and USB 3.0 as I expected.  Looking at the USB Wikipedia page, USB 2.0 should be capable of 60MB/sec. (theoretically) and USB 3.0 should be 625MB/sec. (!). Since the 400X card is rated for 60MB/sec. minimum sustained transfer speed, it should pretty much fill the USB 2.0 bus.  The 1000X card has a whopping 150MB/sec minimum, so clearly you’re going to need USB 3.0 to get the performance the card offers.

So what was the problem?  Drivers.  My ThinkPad T430s was running a generic load of Window 7 that didn’t have the USB 3.0 drivers installed, so I didn’t get the speed benefit on my first run of tests.  I updated everything and re-ran the tests using the same methodology as before, though I had to use a different set of files – I’d uploaded the ones I wanted and deleted the rest.  The new batch was more files but smaller on average, totaling 2.02GB.

So how did it all come out?
——————————————————————————————–
Updated Results
400X SD from USB 3.0 Reader: 51:0
1000X CF from USB 3.0 Reader: 11:0

Internal Reader: 1:02

400X SD from USB 2.0 Reader: 2:29.5
1000X CF from USB 2.0 Reader: 1:09.8
——————————————————————————————–
The updated drivers didn’t change the USB 2.0 or internal reader results, but saw the USB 3.0 performance crush the previous tests and USB 2.0.  The 1000X card was over six times faster on USB 3.0 where it could run at full speed, just 11 seconds for over 2GB of photos!

So the new takeaways:

  1. If it sounds wrong, it probably is.
  2. Always, always keep your drivers up to date.
  3. If you want maximum performance from newer cards, USB 3.0 rocks!

 

What do more X’s get you?

If you’re shopping for memory lately, you’ll see a dizzying and probably confusing array of performance indicators on the label or in the name of the product.  I guess one way to know which is faster is to just buy the more expensive ones within the same brand, but that isn’t the best way to shop or get the performance you want.

One increasingly common way of denoting card speed is “X” (e.g. 133X, 400X, etc.) – which is a carry-over of the way we used to measure the speed of optical drives.  Ultimately, it isn’t a guaranteed way to measure speed, and even “speed” is a reference to two different things that usually have different performance.  So what do you you want to look at?  Read Speed and Write Speed.  What are the benefits of each one?

Write Speed:  There are a couple of related advantages to a card with a fast write speed.  If you’re shooting at high speed (maximum frames per second), you’ll be able to take more shots before you have to stop due to the camera’s buffer hitting its memory limit.  This is because the camera is able to write the shots from the buffer to the card more quickly.  When you do hit the wall, you’ll wait less time for the buffer to clear so you can shoot more photos.  You’ll notice the little light that means your camera is writing images to the card goes out more quickly.  At the end of the day, if you don’t shoot a lot of continuous shots, you won’t see the benefit of fast write speeds.

Read Speed:  Do you get tired of waiting for your photos to download from your card to your PC?  I definitely do.  I have three spawn and a wife who I constantly compete with for time on the family PC (the one with the big screen).  The longer I wait for my shots to import the more people I’ve had to defend against for the rights to my chair.  The benefit of read speed is easy.  Faster is always better – it helps eliminate the “watched pot” syndrome.  You’ll get the benefit every time you transfer photographs off your card.  A caution:  I’ve heard that 1000X cards (currently the fastest available speed, only available on CompactFlash) require a USB 3.0 port and a USB 3.0-based card reader as well.  It is unclear to me whether that is a true compatibility issue or just getting the full performance of the card.  I’ll try to get some clarification.  I haven’t heard similar issues with speeds under 1000X.  When looking at cards, the premium brands tended to have better performance here.  For example, the 16GB Lexar Professional 1000X CompactFlash card is rated for 95MB/sec. write and 150MB/sec. read where Delkin 1000X cards (the only other 1000X cards currently available at B&H) are rated for 150 MB/sec. read but only 50-80MB/sec. write depending on which capacity you choose.

Even those numbers don’t tell the whole story.  Rob Galbraith has a great collection of speed testing on a huge variety of cards.  See the results here.  What you’ll find is the premium cards like Lexar Professional and SANDisk Extreme are the fastest in their class (pretty much in that order) and then you see the less-expensive guys.  Net: when it comes to speed, you get what you pay for.  Or maybe it is you pay for what you get.  Whatever.  :)

On the subject of compatibility, you might have questions about whether your camera is compatible with the latest cards.  We’re kind of left on our own here: camera manufacturers don’t spend too much time testing new cards on old cameras, and the information isn’t always complete or easy to find from the guys who make the cards.  So what do you do?

The good news is that for the most part, the cameras use nearly any card that fits the slot.  You might not get the highest in-camera performance possible from the card, but it will probably work.  That said, if you have an older camera – let’s say more than 5 years old – I wouldn’t bother investing money in the latest card technology or the biggest card.  My D300s, the flower of 2009 technology, works fine with the 1000X UDMA 7 CompactFlash cards from Lexar.

Is it worth it?  It really depends.  I don’t typically fill my buffer – I can shoot several seconds of RAW shots at 7 frames per second before filling up my buffer, and in JPEG mode I’ve got even more than that.  I don’t know if I’m getting any benefit while shooting from UDMA 7 (I doubt it).  But I noticed a huge bump in speed pulling my shots off the card when I moved from my 133X SD cards to my current 400X.  I’m waiting for my 1000X CompactFlash cards, and I’m expecting even faster transfers.  That is worth it to me.  If the price is too high for your budget, the good news is there are usually several tiers of performance available with lower prices to match.  Pay attention to the write and read speeds specifications, and buy the best you can afford.  For the same money, I’d buy smaller cards of better quality/speed than bigger cards from the cheapo guys.

As far as brands, I’m personally a fan of Lexar, and all my current cards are from their Lexar Professional series.  I like them because they make their own chips and have direct control of virtualy all aspects of their components and manufacturing.  Even SANDisk can’t say that.  Lexar’s warranty and support are excellent.  I wouldn’t shy away from SANDisk (who also makes some of the fastest cards along with Lexar, in their SANDisk Extreme line).  Kingston and Transcend both seem to have loyal followers.  I buy Lexar cards because I think memory is a poor place to get cheap.  If your card is bad, your photos are likely gone forever (though Lexar does have some software that can sometimes help if you have a corruption issue, formatted the card, etc.).  From my work in the technology industry, I know a little about the world of component sourcing, and the cheap guys are cheap for a reason – they are often buying chips that don’t meet the quality and/or performance specifications of the big guys, among other things.  The price differences between the premium brands isn’t much, and I think it is worth it not to worry about it.

I’d love to hear your comments – what brands do you use?  Any horror stories?  Got a good experience?  Do you prefer several smaller cards or one big one?

Touristy Photos

I wanted to briefly share a simple contrast between a “snapshot” and a “photograph”.  So often you hear about people coming back from exotic places with a lot of boring photos that just don’t make anyone happy – they don’t excite the people who look at them and they seem only a vague shadow of something amazing to the person who took the photo hoping to catch a sliver.

I did a lot of traveling around the world recently, and my renewed dedication to photography gave me the chance to see different photographic opportunities than I did just a few years ago.  I wanted to come back with as few snapshots as possible, and I wanted my images to mean something to me as well as make an impression on anyone else who sees them.

My vacation was exactly that – a vacation – so I didn’t want to turn the whole trip into a photography exercise.  However, I wanted to use my understanding of composition, aperture and other mechanics to bring home images that told a story and communicated how I felt when I took the shot.

The best example I have of this from my trip came from Prague.  Along the waterway, there are occasionally fences where lovers place locks for good luck.  The most popular one is very close to the John Lennon wall.  It is a really cool site, but the snapshot I took of it just doesn’t do it justice:

This is what a touristy snapshot looks like. It physically captured the scene, but isn’t visually very interesting and doesn’t really tell a story.  Shot at f/5.6, shutter 1/80.

Standing next to it, this scene is a lot more striking and cool than the above photo.  I really wanted to show off the brilliant colors and the diversity of the locks as well as create a sense of drama for the shot.  Here’s another view of the same scene:

Here the locks are the stars of the show. The composition and narrow depth of field create a much more dramatic perspective, and bring the colors to life. This was shot with the same 35mm lens, but shot at f/1.8 to create the thin zone of focus (focal plane) and composed to create drama and an opportunity for the creamy background (bokeh).  I manually chose the focus point for this shot, and tried several moving left to right down the frame to get the one I ultimately liked the most.

This shot speaks far more strongly to me as a memory of a cool place I visited, and it stands alone as an image, too.  All it took was a few seconds of thought about how best to tell the story of this place, select the best aperture for the job, compose the shot and shoot a few frames.  In this case, the “rule of thirds” applied more to the point of focus than the composition itself.

So often when I’m taking pictures, it is specifically about the pictures.  Whether it is photos of my children at a family event or outings specifically about creating images, my priority is photographs.  On vacation, only slivers of my attention were focused on the photography.  My main goal was to relax and enjoy two wonderful weeks with my wife.  A secondary goal was to bring back images as warm as my memories of the places and the experience.  Getting very comfortable with the hardware, theory and practice allowed me to do just that.

Has photography changed how you take vacation photos?  Did it help you enjoy your vacation more?  Anyone want to share a link to your favorite vacation photo?

Cool on-line tool!

Apologies for the long absence!  Two weeks of work traveling in Asia, followed by a week at home followed by two weeks of vacation in Europe (including five cities in five different countries) means one pretty crazed and time-zone straddling Enthusiast Photographer!

I’ve got a number of posts lined up, but wanted to make a quick note of a tool I discovered that I find really helpful.

If you’ve ever wondered how the term “Depth of Field” translates into the real world based on all the settings (especially aperture), your camera and the distance you are from your focal point, this site helps you not only gives you the numbers, but helps you think about it in real-world terms.

The site is called “DOFMaster” (http://www.dofmaster.com/dofjs.html) and allows you to enter your camera, the focal length, the f/stop (apterture) you’re using and the distance from the subject.  Select your settings and hit the “Calculate” button and it shows you the values and a visualization for what it means in front of the lens.

I don’t need it all the time, but it has been handy several times lately.  More importantly, it is one more layer of understanding added to the subject of depth of field!